individual mentoring
SEED PATH
storytelling as art and as personal practice

"If I cannot control life, make it obey me, I can at least make it dance, which in the last resort may mean leading it, at the same time I am led by it. Thus Zarathustra dances with the life".
Viviane Mosé inNietzsche today: on the challenges of contemporary life
Loie Fuller
Just like life, so are stories: they are something that happens to us, at the same time they are created by us. That's why, when we move away from life, it takes the form of a story and when we enter a story, it takes on the form of life.
WHERE THIS ROUTE TAKES YOU
the invitation is to reconnect you to your favorite stories about who you are, about who you want to be and about the world you want to help exist. this connection with the stories themselves is valuable, but it is also the gateway for anyone who wants or needs to communicate something in the form of a story. Thus, two paths open up:
pra quem se interessa pelas histórias como prática pessoal a mentoria pode ser um percurso:
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entre uma história-problema ou de dificuldades e uma história-preferida ou de possibilidades
ou:
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entre uma sensação de "como eu vim parar nessa vida?" e uma percepção de "como a minha história é múltipla! qual caminho me interessa explorar agora?"

pra quem se interessa pelas histórias como arte e comunicação a mentoria pode ser um percurso:
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entre um desejo/necessidade de contar alguma coisa em forma de história e a possibilidade de fazer isso de um jeito que te deixa confortável, confiante e te conecte com a sua audiência, não importa quem ela seja.
ou:
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entre um processo criativo empacado (em qualquer área que envolva contar histórias e se apresentar publicamente) e um processo de preaparação fluído e prazeroso.
no matter what itinerary you choose, you will come out of it with the ability to listen and
tell the stories that help you compose a life, a world in which you want to live.
During your Seed Journey, you bring to our meetings any themes, questions, challenges and difficulties that are relevant to these two dimensions of the stories - as a personal practice or as an art/technique/communication.
Below are some examples, but we are not limited to them, ok?
- transition moment, whether personal or professional.
- general dissatisfaction. difficulty knowing where you came from, where you are and where you want to go. “How did I end up in this job/marriage/life?!”
- Perception of devaluation of what matters (health, relationships) and an overvaluation of what does not matter (social networks, consumption), but does not know how to get out of it.
- a dream long kept in the drawer that has been calling you.
- discouragement or lack of interest in work/relationships.
- difficulty in making the changes that you consider important.
- feeling of being stuck, of lack of choice.
- communication difficulties (to say what you feel, want, want).
- not feeling heard, seen, understood.
- difficulty in collaborating / exchanging experiences / caring and being cared for.
- feeling of imprisonment in the stories that you repeat to yourself about your identity, your work, your relationships, about what is possible for you.
- wants to tell stories and isn't sure where to start, or has just started and is feeling a little lost.
- you have an important presentation/lecture/meeting coming up, you want to tell a story but don't know how.
- is creating a show or preparing a story and needs an outside look that is experienced and provocative.
- is stuck in a way of getting ready to tell stories and wants to discover new possibilities.
- have an idea and want/need to share it with the world in the form of a story.
- has assumed a leadership position and has faced difficulties in communicating who he is, his intentions, his experience.
- you have a business or a project and you need to tell people what it's about in a creative, thoughtful and connecting way.
LIKE PEOPLE
WALK

DANCING!
That's right, this is a danced path (metaphorically, but not so much):
you dance with your stories of past, present and future.
you dance with the ancestral art of telling stories orally, with narrative practices and with the Klauss Vianna Technique (these are the bases of the work).
and I'm just your partner in this dance, who leads and chooses the steps is you.
Pina Bausch
now, attention:
this path is, above all,an artistic path. it has more to do with art and philosophy than with psychology, even though narrative therapy is one of our bases.
the key for us along the way is to discover and invent ways of life and meaning aligned with your singularities and organize a network of references that help you in creating yourself as a person, artist, professional.
Isadora Duncan

The person who will dance with you on this journey is Emilie Andrade, storyteller, narrative therapist and creator of Sementeira. To learn more about her and the work she has been developing, just visit the pageABOUT here from the website.

HOW IT WORKS
We have three route options for you to choose from according to yourneed.
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3 dates
For those who need it to untie a slightly bigger knot, either in your creative process or in theperformance, be a personal story. In the meetings we plant some seeds of possibilities and, for 1 month, you have company between the meetings to water, fertilize...
WHAT INCLUDES:
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3 live and online meetings
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E-book of the route with all the references, materials, invitations, links and practices used.
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All our strategies, repertoire, references and processes are totally open to you.
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Lifetime email support.
DURATION
3 meetings of approximately 60 min.
WHO PARTICIPATES:
just you and emilie
DEADLINE:
After payment, you have 1 month to use all your sessions.
INVESTMENT:
From BRL 1,140.00
For BRL 950.00
Klaus Vianna

6 dates
For those who need more support in their creative process, inperformance or with a personal story. In the meetings we plant some seeds of possibilities and, for 2 months, you have company between the meetings to water, fertilize and see the first buds.
WHAT INCLUDES:
-
6 live and online meetings
-
E-book of the route with all the references, materials, invitations, links and practices used.
-
All our strategies, repertoire, references and processes are totally open to you.
-
Lifetime email support.
DURATION
6 meetings of approximately 60 min.
WHO PARTICIPATES:
just you and emilie
DEADLINE:
After payment, you have up to 2 months to use all your sessions.
INVESTMENT:
From BRL 2,280.00
For BRL 1,600.00
Alvin Ailey's Dance Theater
ARE YOU WITH
DOUBTS?
If you don't know how many dates to choose, or even if this route is for you, just click on this button to send us an email so we can talk.
or just write to